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Robert Fischer

Geboren am 2. Oktober 1954Greven, Germany

Hinter der Kamera

85 Titel

Maternal Overdrive
Making an American Movie
A Tribute to Douglas Sirk by Allison Anders
Contract Kid: William Reynolds on Douglas Sirk
Love Letters
Dalton Trumbo: Rebel in Hollywood
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Ted Kotcheff's Gourmet Cinema
Acting for Douglas Sirk
Swan Song: The Story of Billy Wilder's Fedora
Alles auf eine Karte: Georg Feil über 'Die Katze'
Good Times: Dominik Graf on Directing the Cat
Working with Max Ophuls: Alain Jessua on the Making of Madame de...
Rag Doll Memories: Nancy Allen on 'Blow Out'
Erinnerungen an 'Väter und Söhne'
A Winter's War: Keith Gordon on 'A Midnight Clear'
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Core of Reality: Robert Blees on Douglas Sirk’s Magnificent Obsession
Homay King on 'Shanghai Express'
Men of Mystery
Reviving Harry Lime
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Will He Live or Will He Die: Walter Hill on Southern Comfort
Working with Max Ophuls: Annette Wademant, Co-Writer
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Working with Max Ophuls: Tony Aboyantz, Assistant Director
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
Working with Max Ophuls: Robert Christidès, Set Decorator
Jenseits von Gut und Böse: Christoph Fromm über 'Die Katze'
Life As It Is: Miloš Forman on Miloš Forman
Touching Death: Alejandro Amenábar on 'Tesis'
Working with Max Ophuls: Marc Frédérix, Assistant Decorator
Return to Philadelphia: George Litto on 'Blow Out'
Before Taking Off: Milos Forman’s Road to America
The Fury: A Location Journal
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Working with Max Ophuls: Daniel Gélin on "La Ronde"
Weimar on the Pacific
Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
Of Love and Constraints
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
Dietrich Icon

Als Darsteller

2 Titel

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